Thursday, February 18, 2016

W. Eugene Smith and The Impact of Photographs to Promote Social Change

W. Eugene Smith was an American photographer. He was born on December 30, 1918. He began a job as a photographer at age 14 with two newspapers. After going to college, he began working for Life magazine to take pictures of World War II. Smith liked to shoot photographs that could potentially lead to an improvement in the world. He eventually went to work on his own and did many photo essays of suffering villages to raise awareness. Smith died on October 19, 1973. 


  This photograph was taken in Okinwa in 1945
Photo by: W. Eugene Smith
Website:http://spartacus-educational.com/USAPsmithE.htm

Much like Smith, I believe a photograph can have a large impact on society and help to promote social change. I think that people see certain photographs that make them passionate about what that photograph displays. I visited a National Geographic exhibit on vacation and saw these amazing photographs, but also watched a film about the photographers. It told about how they went to a war zone and were captured all while taking photos. They were all safe, but it made me realize how important photographs can be. Seeing photographs about topics like war or other social issues evoked many emotions in me. Taking photographs that make people feel sad or angry or even uncomfortable can lead to a memory. If people are shown photographs it puts an image in their head to add to the facts they hear. Remembering a photograph can help people think more about how they can fix the problem. Photographs of events like these help raise awareness as well.


This photograph was taken during the Vietnam war. I find this a very powerful image especially because you can see the emotion in the man's face. There are ruins around him and the conditions look terrible. I believe photographs like these can make people think more about what is happening and come up with ways to help. 
Photo by: Hugh Van Es
Website: http://lens.blogs.nytimes.com/2013/09/12/vietnam-war-photos-that-made-a-difference/?_r=0





Tuesday, February 2, 2016

Project 5 Light, Shadow, and Reflection

Silhouette 


Photo by: Freek Bekaert
Website: https://500px.com/photo/8758437/white-outline-by-freek-bekaert

Silhouette and Shadows


Photo by: Mecuro B. Cotto
Website: http://beautifulbizzzzarre.blogspot.com.au/2012/06/mecuro-b-cotto.html?zx=1351f01d32418ed8


Photo by: Unknown
Website: http://webneel.com/i/photography/8-woman-black-and-white-photography-by-kirk-cypel/07-2013/d?nid=8760

Shadows


Photo by: Susan Grant
Website: Critical Mass


Photo by: Lei Han
Website: https://www.flickr.com/photos/sunsetnoir/7730483398/

Reflection


Photo by: Unknown
Website: http://art.ekstrax.com/2015/08/the-art-of-black-and-white-photography.html


Photo by: Jobst D. KΓΌker
Website: http://www.fotoblur.com/images/486340

Back Lit


Photo by: Josef Koudelka
Website: http://onlinebrowsing.blogspot.cz/2010/12/josef-koudelka-gypsies.html


Part 2


Photo by: Edward Steichen
Website:  https://www.pinterest.com/pin/561261172287806548/

This image is a back lit silhouette with shadows. I think the photographer took his meter reading around the lighter flower section of the photograph because there is a dark underexposed shadow, but there is detail in the flowers. I think the photographer is going for a mysterious, but also calming mood. The shadow makes it eerie with the light surrounding it, but the image is beautiful. I think if the photographer metered the opposite, there would not be an intense shadow and it would be properly exposed. I do not think there would be as much of a strong mood to the photograph. 

Monday, February 1, 2016

Margaret Bourke-White


Margaret Bourke-White was a famous American photographer and journalist. She was born in New York in 1904. She went to Columbia University and transferred to the University of Michigan where she met her husband. She majored in biology however did a lot of photography throughout her years of schooling. In 1929 she was hired to be a photographer for the magazine Fortune. She traveled to Germany and Russia where she photographed the Soviet Union's plan for industrialization. She was the first woman and photographer to be permitted to photograph the Soviet Union. In 1934 her work on Dust Bowl farmers was published in Fortune, Vanity Fair and the New York Times. In 1936 she became a photographer for Life magazine. Margaret Bourke-White was the first woman photographer attached to the US military and she documented the horrors of World War II in Germany. She photographed Gandhi hours before he was assassinated and documented the Korean war in 1952. That same year she was diagnosed with Parkinson's disease and died in 1971.



Photo by: Margaret Bourke-White
Website: http://topyaps.com/top-10-photographs-of-margaret-bourke-white


This photograph is one of my favorites of Bourke-White's work. The light hits the subjects in a mysterious way as they are looking of into the distance. Also, the subject of the photo is very powerful because it shows two black figures in a cave working in very hot conditions shown by their sweat. The people do not appear to be happy showing this might be a result of racial discrimination or they are unable to find better work. 

Tuesday, January 19, 2016

Final Portfolio

Project 4 Depth of Field

Depth of Field


This photograph was taken around Christmas time. I tried to get my camera to focus on the ornaments in the back. I printed it using F8 with a 2 and 1/2 filter for 8 seconds.


This was taken using a photography light and black cloth. I focused my camera on the closest nesting doll for a shallow depth of field. I printed this using F11 and 7 seconds. I used a 3 filter. 

Project 3 Motion


Motion



I took a picture of my subject standing completely still with only her head moving from side to side. This created a blur. I had to test this using a digital camera first to get the aperture and shutter speed exactly how I wanted them for the photograph to be properly exposed. When printing, I was on F8 with a six to seven second exposure. I used a 3 filter.


The individual photographs were taken by my film camera set on the dashboard as the car went over bumps. Each one ended up looking like a figure so I made it into a diptych. I printed both using F11 with six seconds and a 3 filter. 

Saturday, January 2, 2016

Project 4 Pre-work: Depth of Field and Abstraction

Abstraction

Abstraction is dealing with more conceptual ideas than specific events. It can also be freedom from representational qualities in art. Abstract photography seeks to break away from traditional representation of physical objects. It explores the relationships of forms and colors. 


Photo by: Abelado Morell
Website: http://www.abelardomorell.net/photography/home_01/home_07.html


Photo by: Kim Keever
Website: http://mashable.com/2014/03/12/kim-keever-photography/?utm_cid=mash-com-fb-main-photo#yPwcdB5zagq3


In these two images, I think the photographer did use depth of field to help with the abstract quality of the image. In the first photograph, the focus is on the forks in the water and the background is out of focus. In the second photograph the swirls of color are the focus. The swirls look like smoke although it is hard to tell. It is more a picture of a shape and color than a discernible, physical, object.


Shallow Depth of Field

Portrait

Photo By: Natasha Kleo Kapinus
Website: http://www.cuded.com/2013/12/photography-by-natasha-kleo-kapinus/



Photo by: unknown
Website: https://www.flickr.com/photos/ck3/45767168/in/faves-52035682@N00/

Still Life

Photo by: Anna Nemoy
Website: http://www.thedphoto.com/inspiration-fix/fantastic-still-life-photography-by-anna-nemoy/